![]() ![]() ![]() This paper uses Visual Semiotics to analyse a representative CRV (I Am Not Moving) and shows how this critical video is equally susceptible to ideological influence by revealing the alternative or oppositional ideologies embedded within it. In many cases, CRVs seek to expose dominant ideologies embedded in mainstream media messages, for example authoritative journalism, persuasive advertising or political broadcasts. ![]() Critical Remix Video (CRV) is an emerging form of experimental video art activism that uses as raw materials previously published, often copyrighted audio-visual content in order to critique perceived wrongs and injustices or make political statements. ![]()
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